Arturo Montenegro is a 22-year-old reconnecting Indigenous artist, writer, screenwriter, poet and video gamer residing in Bloomberg, Texas, on traditional Osage, Caddo and Quapaw territories. His work explores the intersections of social class, technology and our lived experiences. Through his art and writing, Arturo often explores themes of identity, tradition, and the impact of capitalism, using video game imagery and storytelling to highlight contemporary cultural absurdities.
Title: “As long as there’s light from a Neon Moon”
Taking its name from the iconic 1991 Brooks & Dunn song “Neon Moon,” which has deeply resonated with my generation, this work explores the impact of modernity on our lives. Through the lens of video gaming, it captures how technological advancements have improved our daily experiences while simultaneously distancing us from essential aspects of our humanity. As a 22-year-old reconnecting Indigenous person living on traditional Osage, Caddo, and Quapaw territories, I reflect on how these changes have altered our connection to cultural traditions, like observing the moon.